Nice to know, that. A perfect choice for precise, intimate live vocals. 2:11 Shure KSM8 Only The well-balanced and tapered body is comfortable to hold without risk of obscuring the rear ports. The Shure KSM8 Dualdyne Microphone is the world's first handheld dual-diaphragm dynamic microphone, designed for professional vocal applications in live sound and studio environments. Singers with quieter voices will find that a live condenser mic can better convey the emotion and intimacy of their performances. With its unique dual-diaphragm design, is Shures latest offering the greatest advance in dynamic mic technology since the Unidyne? Condenser mics are more often found in the studio, where they have the ability to capture small dynamic changes and high-frequency detail. The cardioid capacitor microphone was conceived in 1935 by Dr Hans Joachim von Braunmhl and Dr Walter Weber, both working for the Reichsrundfunk Gesellschaft (RRG Electroacoustic Laboratories) in Germany during the early 1930s. Theres still a noticeable proximity when youre right on the grille, and here plosives still creep in, but nevertheless, for terms of ease of use, youre getting a much more predictable, consistent sound in a variety of positions. Smooth high frequency response without a pronounced presence peak, Advanced internal pneumatic shock mount and the Diaphragm Stabilization System (DSS patent pending) work together to prevent handling noise, True cardioid pattern prevents feedback and provides consistent off-axis response, Hardened, dent resistant grille lined with hydrophobic woven fabric that rejects moisture as well as plosives for years of high quality use, Microphone techniques for live sound reinforcement. Braunmhl-Webers innovative capsule design was patented in 1936, and introduced commercially as the famous M7 capsule employed in all of Neumanns early microphones. The KSM9 is a two-channel microphone, meaning that it has two diaphragms, which are each made up of a membrane and a coil. In my opinion, if budget allows, stretch to a KSM9. It has a very clear sound with a lot of detail, making it perfect for recording vocals. Brand New. Not much help for the marginal types, though. The Sennheiser has some unique features: a low-cut filter switch, for singers who need to remove low frequency noise from the room. The head of the mic is 49 mm (1.9) and it weighs in at about 300g (10.6oz). In these microphones the front capsule mounted directly behind the grille captures only the high frequency components of the source sound, while a second capsule located behind it receives the low frequency sound components, via a damped acoustical tube from entry ports at the bottom of the microphones handle. I was hoping to get a few opinions on these microphones. This translates to greatly reduced level and tonality changes and less need to compress or EQ the mic in the FOH mixer, even if the users mic technique is less than perfect! The KSM9 has a dual-diaphragm design that provides accurate sound reproduction, and it also features a built-in shock mount to reduce noise and vibration. DUAL DIAPHRAGM TECH. The KSM8 mic is supplied in high-quality rigid protective case with zip closure, and comes with a 'soft-flex' stand adaptor clip and 5/8-inch thread adaptor. SM58. Theyre both handheld condenser mics optimised for live performance. Cardioid is more natural but may need a louder vocal to combat feedback. Another advantage of mics with a smaller diaphragm is that they have a more controlled, consistent pickup pattern. Also, what's your use case, as this will probably help us guide you towards to best choice! The Diaphragm Stabilization System (DSS) works with the pumping pneumatic shockmount to isolate and suspend the cartridge, reducing handling noise. The downside is that the KSM9 seems to pick up everything on stage.. but it doesn't color them, so doing some additive mixing, using the mic bleed as . Shure Product Manager, John Born, was one of the small development team that worked on the KSM8 project. The Neumann KMS 105 microphone is the choice for professionals who demand excellence in their recordings. It is for precisely these reasons that dual-diaphragm capacitor microphones have become the standard choice for recording close-up vocals, users often citing the preferred low-frequency character, and why single-diaphragm cardioid mics are generally preferred for more distant-miking applications. The grilles are of course replaceable Yet, considering the price of the unit, youd still want to treat it with all due respect and I hope this is a no-brainer. The on-axis pickup pattern is well focused, and although moving substantially off axis results in a dramatic reduction of level, the tonality remains remarkably consistent. KSM8/B: Superior dual-diaphragm dynamic microphone with a black finish. One big difference is that the Neumann doesnt have a switchable polar pattern its a fixed supercardioid. The BLX88 is the two-channel version of the BLX4. They must maintain this distance in order to avoid variations in tone. Shure Audio Institute. The Shure KSM9 is a great choice as a live mic. As a condenser designed for gigging and live use, the KSM9 is perfect for anyone looking to bring a high quality studio sound to the stage. It also helps to counteract the proximity effect. Whereas condenser mics are active meaning they need something called power phantom power. https://www.Sweetwater.com/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o. Dual-diaphragm technology has important benefits for vocal work, which is why virtually every studio vocal is conventionally recorded with a dual-diaphragm (capacitor) mic. I have heard good things about this capsule. Shure KSM9 is a professional on-stage condenser mic. Side spill doesnt suffer excessive coloration, and the amount of rearward rejection is impressive and unusually clean. Sound enters the microphone via the side entry inlets and passes through the rear second diaphragm before striking the front diaphragm. It might be just what you need to take your sound to the next level. With these scenarios aside, many vocalists will find that the KSM9 inspires confidence on stage. As well as the microphone, the KSM9 also comes with: Dynamic mics are extremely durable, and can withstand a certain amount of rough and tumble. One other thing to note is that theres a very slight difference in the high-end response between the two switchable polar patterns. This helps to achievean extremely fast transient responseand make the sound more vivid. For a more natural, balanced sound, hold the mic between 5 and 10 cm away from your mouth. Free Shipping. DuPont de Nemours and Company in the United States. The Shure KSM9 is a condenser microphone, so it does require phantom power. Where the magic happens! Large diaphragm mics tend to be better at capturing low-end, whereas smaller diaphragm microphones do a better job with higher frequencies and transient detail. The idea is that sounds from the rear take the same amount of time to reach the rear of the diaphragm through the labyrinth as they do to pass around the outside of the microphone and impact on the front of the diaphragm. There are many great microphones on the market, but two of the most popular are the Neumann KMS 105 and Shure KSM9. . For noisier setups, the tighter supercardioid pattern does a good job of rejecting off-axis noise, which reduces feedback and stage bleed. Instagram: @marcusdscott, After you watch, check out Sweetwater.com today for all your music instrument and pro audio needs! Their ability to reproduce sound so accurately is why they tend to be used in studio recording. At the bottom of the KSM8s capsule is a second passive diaphragm, which is there to seal the rear chamber and its internal acoustic labyrinth. The last mic in our guide is the absolute gold-standard option when it comes to world-class live vocal capture - the KSM9. The dual diaphragm design gives it one active and one passive diaphragm, so its also inspired, to an extent, by some of the classic fixed-pattern twin-diaphragm condensers. Popular comparisons. Itmaintains a great accuracy at higher freqs (where other mics err), and even those high-pitched harmonics sound so much natural! It has a warm sound that is perfect for female vocals or mellow tracks. Where the magic happens! Given the absence, until now, of dual-diaphragm technology in moving-coil mics, it wont surprise anyone to learn that constructing such a design is extremely difficult, not least because of the need to squeeze the magnetic assembly between the two diaphragms, the spacing of which is restricted by the requirements of the internal acoustic structure. This is, of course, complete nonsense: new developments are still appearing quite regularly, bringing substantial improvements in quality and accuracy, reliability or manufacturing costs. A Sweetwater Sales Engineer will get back to you shortly. All rights reserved. 1.93 in. 531 171. KSM9 is also amazingly crispy and I find it quite amusing. 5:52 Thanks for Watching! Being music makers ourselves, we love geeking out on all things gear. The capsule assembly process apparently involves ultrasonic and internal laser welding to help ensure excellent mechanical reliability, and the practical realisation of the Dualdyne capsule took Shures engineers seven years of development and optimisation. Shure describe this arrangement as a reverse airflow technology, and although the pneumatic shockmount was patented over 50 years ago, they claim that no other manufacturer has implemented it successfully. Our team combines the holistic capabilities of researchers, designers, and engineers to craft and deliver solutions that align technical possibilities, market realities, and the needs and goals of people. We have both b87c and b87a capsules for our handhelds too, but these don't see anywhere near as much use. This makes them very different types of mic, each with their own internal circuitry. MaonoCaster E2 (AME2) review - production audio interface for streamers. Comparing to other Shures, itis a great step up from their Beta 87A and miles ahead ofBeta 58A. This improved design had even less proximity effect, achieved through the use of considerably more entry slots designed to provide an almost continuous variation of phase shift with frequency, instead of a small number of fixed discrete shifts. In other words, the acoustic impedance of the diaphragm increases as the frequency gets lower. Does anyone have any experience with the KSM9? Technical features include two ultrathin diaphragms, a neodymium magnet, a dent-resistant carbon steel grille, a new internal pneumatic shock mount and diaphragm stabilization system, and integrated hydrophobic wind protection. Enter the Shure KSM9 a condenser mic for the live stage. to maximise the magnetic field in a very small space and thus ensure an acceptable electrical output level. Sweetwater Sound, 5501 U.S. Hwy 30 W, Fort Wayne, IN 46818 Get Directions | Phone Hours | Store Hours, If you have any questions, please call us at (800) 222-4700. In isolation, the KSM8s sound character is very obviously far more natural and tonally balanced than either the Beta 58 or SM87A, and it is much, much easier to maintain a consistent sound quality and level when using the mic handheld. The outer grille has been tempered to provide years of dent resistance. Depending on your style, it may require some minor adjustments to your pronunciation, but in the end it is still more forgiving than a condenser. Electro-Voices product range now includes several Variable-D mics although the most iconic and recognisable is undoubtedly the RE20. Unlike with other mics, both patterns of KSM9 work flawlessly. The KSM8 is a dynamic microphone; the KSM9 is a condenser microphone. We are excited to continue our mission and build the next dynamic design and innovation team that can envision, shape and create new growth platforms for the ambitious. But guess you are looking more into a dynamic type of mic. The KSM9 also switches between cardioid and supercardioid polar patterns, so it can easily adapt to different live environments and singing styles.

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