Originally presented on television in 1957 starring Julie Andrews, Rodgers & Hammerstein's Cinderella was the most widely viewed program in the history of the medium. I know it was important for Whitney to leave this legacy for her daughter. [102], Teresa Talerico, writing for Common Sense Media, praised the film's costumes, sets and musical numbers while lauding Peters, Goldberg and Houston's performances, but found the choreography stiff. [37] Meron maintains that these adjustments helped the composition resemble a "Rodgers and Hammerstein song that sounds like a new Whitney Houston record". Cinderella is a musically-driven bold new take on the traditional story you grew up with. [47] In order to give Cinderella's ballgown a "magical look", Mirojnick combined blue and white detailing into the dress, in addition to incorporating a peplum, a design element that had not been used in previous versions of the gown. [9] Hirschhorn interpreted the film's success as an indication that "there is a huge family audience out there for quality programming," expressing interest in eventually "fill[ing] in the ground between feature animated musicals and Broadway". [49] The original song lacked a bridge and was deemed inferior to Houston's trademark vocals,[37] thus it was combined with the bridge from "One Foot, Other Foot" from Rodgers and Hammerstein's musical Allegro (1947). Budget $95,000,000. [33] The fact that Cinderella is traditionally depicted as white did not discourage Brandy from pursuing the role. [16] Mary Rodgers and James Hammerstein, relatives of the original composers, also approved this casting decision, with Mary maintaining that the production remains "true to the original" despite contemporary modifications to its cast and score,[35] and James describing the film as "a total scrambled gene pool" and "one of the nicest fantasies one can imagine. [66] Highlighting the performances of Montalbn, Peters and Houston, Entertainment Weekly ranked Rodgers & Hammerstein's Cinderella the fourth greatest adaptation of the fairy tale, ahead of both the 1965 (10th) and 1957 (sixth) versions, with author Mary Sollosi calling it one of "the 11 best-known film adaptations of the tale". [55] Although its original melody is retained, the music producers adapted the waltz into a "frenetic Latin-tinged number in duple meter" more suitable for the conniving character. "[16] Kelsie Gibson of PopSugar wrote that the film is superior to Disney's other princess-themed offerings from the 1990s. Kejuaraan U-23 AFC (2014 dan 2024 (bila lolos) karena pada 2016, 2018, dan 2020 hanya menayangkan highlights) Kejuaraan Junior Putra dan Putri AFC ( U- 16 dan U- 19) Liga Champions AFC. Several well-known actors auditioned for the role, including Wayne Brady, Antonio Sabato, Jr., Marc Anthony and Taye Diggs, the latter of whom was highly anticipated due to his starring role in the musical Rent at the time. "[39] Freedman identified Houston's eventual re-casting as the Fairy Godmother as a moment that instigated "the next round of rewriting",[16] adapting her version of the character into a "worldly-wise older sister" to Cinderella, as opposed to the "regal maternal figure" that had been depicted prior. This list shows all films released in 1997, including films that went direct-to-video, or only got an international theatrical release. [43] In 2017, Shondaland.com crowned the film "one of the most inclusive, expensive and ultimately beloved TV movies of all time. It's Possible! [16][36] They hosted the table-read at the Rihga Royal Hotel in New York City, one of Houston's favorite locations at the time. [20][52] Few songs remaining in Rodgers and Hammerstein's repertoire were deemed suitable until they re-discovered "There's Music in You", a little-known song from the film Main Street to Broadway (1953),[20] in which the songwriters play themselves. [21] Hoping to relaunch the series using "a big event", Disney CEO Michael Eisner approached Zadan and Meron about potential television projects; the producers suggested Houston's Cinderella, which Eisner green-lit immediately. [52], Houston's Fairy Godmother was expanded into a more musical role by having the character preface the film with a downtempo rendition of "Impossible". What better message could we send than that? With his parents' blessing, Christopher declares that he will marry whoever fits the slipper, even if it means trying it on every maiden in the kingdom. "[17][37] In September 1997, Disney Telefilms president Charles Hirschhorn identified the film as the studio's most costly upcoming project. When Christopher recognizes Cinderella from the marketplace, he tries the slipper on her foot, and it fits perfectly. [102] Despite calling the supporting cast "unusually strong", the critic felt Brandy and Houston acted too much like their own selves for their performances to be considered truly compelling. Piedmont Community College is committed to making . [79] Similarly, Bert Fink of the Rodgers & Hammerstein Organization said that the program's ratings will most likely "have a salubrious effect on" the future of television musicals. [4], By the late 1990s, Disney had grown interested in reviving their long-running anthology program The Wonderful World of Disney. [16] Houston arrived at the reading several hours late, by which time some of the actors had grown frustrated and weary. . [37] Although the producers agreed that Houston's character would sing the film's closing number,[52] selecting a song for Houston proved a challenge. [92], Shortly after the film's premiere, audiences soon began demanding a swift home video release, which the studio soon began bringing to fruition. Our countdown includes it had a huge budget, the stepmoth. [36] Montalban enjoyed this version of the prince character because "he isn't just holding out for a pretty girl he's looking for someone who will complete him as a person, and he finds all of those qualities in Cinderella. [63] According to A. J. Jacobs of Entertainment Weekly, the film's budget was approximately four-times that of a typical television film. It was the 5th most popular movie at the British box office in 1951. "[34] Fans have affectionately nicknamed the film "the Brandy Cinderella". [51], ABC aired Rodgers & Hammerstein's Cinderella on August 23, 2022 for the film's 25th anniversary, following Cinderella: The Reunion, A Special Edition of 20/20. Although mistreated by her cruel stepmother and stepsisters, Cinderella is able to attend the royal ball through the help of a fairy godmother. While most reviewers praised the film's costumes, sets and supporting cast, particularly Peters, Alexander and Goldberg, television critics were divided over Brandy and Houston's performances, as well as Disney's more feminist approach to Brandy's character. Cinderella (TV Movie 1997) cast and crew credits, including actors, actresses, directors, writers and more. Cinderella explains that she can only imagine what it must have been like, and they briefly bond over the memory, only for the Stepmother to soon recognize Cinderella as the mysterious princess with whom the Prince danced and insisting that she will never be more than a common girl. "[37] Goldberg found the film's colorful cast to be reflective of "who we are", describing it as "more normal" than all-Black or all-white casts. See full company information. In Release 294 days/42 weeks. NEW Barbie as Cinderella 1997 Doll box missing but never removed from cardboard. Based on the French fairy tale by Charles Perrault, the film is the second remake and third version of Rodgers and Hammerstein's musical, which originally aired on television in 1957. [121] Bill Carter of The New York Times predicted that the success of the broadcast "will mean more musicals for television, probably as early as" 1998. "[69] Crediting the film with establishing both Brandy and Houston as "icons", the writer concluded that Cinderella teaches "about the limitless nature of storytelling. [12] Three songs not featured in previous versions of the musical were added to augment the film's score,[48] each of which was borrowed from a different Rodgers and Hammerstein source;[9][13][35][53] these additions are considered to be the most dramatic of the changes made to the musical. [16] The day after Gypsy's original broadcast, Whitney Houston's agent Nicole David asked the producers if they were interested in developing a similar project starring her client,[17][18][19] to whom they suggested Cinderella with Houston playing the titular role. [95] On February 4, 2021, Brandy announced on The View that the film would be released on Disney+ on February 12, 2021. The timeless enchantment of a magical fairy tale is reborn with the Rodgers & Hammerstein hallmarks of originality, charm and elegance. What's on TV & Streaming Top 250 TV Shows Most Popular TV Shows Browse TV Shows . [37] This version of Cinderella was the first live-action fairy tale featuring color-blind casting to be broadcast on television,[50] boasting one of the most diverse ensemble casts to appear on television at the time. $70.1 million [1] A Cinderella Story is a 2004 American teen romantic comedy film directed by Mark Rosman, written by Leigh Dunlap and starring Hilary Duff, Chad Michael Murray, Jennifer Coolidge, and Regina King. [49] Most of the film's cast Brandy, Houston, Cox, Garber, Desselle and Montalban was present; Goldberg and Alexander were unable to attend. "Cinderella's glass slippers are far too big for Brandy to fill," wrote the . "[20] The filmmakers also agreed that it would be wasteful to cast Peters without allowing her to sing. [12] However, this idea was abandoned due to conflicts between Houston and Brandy's respective record labels. Cinderella (Brandy) chafes under the cruelty of her wicked stepmother (Bernadette Peters) and her evil stepsisters, Calliope (Veanne Cox) and Minerva (Natalie Desselle), until her Fairy Godmother (Whitney Houston) steps in to change her life for one unforgettable night. [113] Rodgers & Hammerstein's Cinderella was nominated for seven Primetime Emmy Awards,[18][114] including Outstanding Variety, Music or Comedy Special. That in stories, there are no constraints; the only limit is your imagination. [135] On August 23, 2022, the cast once again reunited for a television special Cinderella: The Reunion, A Special Edition of 20/20, which was followed by an airing of the film, the first time it has aired on broadcast television in over two decades. The original cast included Brandy and the late Whitney Houston, as well as Whoopi Goldberg as Queen Constatina, Paolo Montalban as Prince Christopher, Victor Garber as King Maximillian, Bernadette . Its recreation in 1965 starring Lesley Ann . [20] Describing the project as both a major opportunity and responsibility, Alexander acknowledged that Cinderella's failure to succeed could potentially jeopardize the future of musical films altogether. [17] Although filmmakers are usually hesitant to interpolate songs from other sources into adaptations of Rodgers and Hammerstein's work, Ted Capin, President of the Rodgers & Hammerstein Organization,[10] challenged the producers to conceive "compelling reasons" as to why they should incorporate new material into the remake,[52] allowing the filmmakers significant freedom on the condition that the additions remain consistent with the project. [64] During the 25th anniversary reunion special aired on ABC on August 23, 2022,[68] Brandy revealed that all of the closeup shots of Cinderella's feet in the glass slippers were done by a foot model with smaller feet than her own size 9, joking that "size nine shoes look like size 12 on TV". [55] Various elements from Freedman's script were incorporated into the 2000 national tour of Cinderella,[126] which is considered to be the first time the musical was adapted into a legitimate Broadway-style production. Cinderella grows distracted while waiting upon her stepmother and two stepsisters in the marketplace, where she meets a charming young man. Rodgers & Hammerstein's Cinderella was nominated for several industry awards, including seven Primetime Emmy Awards, winning one for Outstanding Art Direction for a Variety or Music Program. TV Shows. [5][6] Songwriters Richard Rodgers and Oscar Hammerstein II originally wrote Cinderella as a musical exclusively for television starring Julie Andrews,[7] which aired in 1957 to 107 million viewers. The film made $542 million worldwide, Branagh's biggest box office haul to date as a director. [42] The filmmakers found this song particularly easy to incorporate. [129][130], Despite its initial reception, Cinderella has become widely revered as one of the best film adaptations of the fairy tale. Cinderella opera rossini hairy redhead pussy close up sinden light gun setup launchbox. "[49] According to Paller, the screening resembled a Broadway tryout more than a film preview since the audience reportedly applauded at the end of every song. You can stream Disney's 1950 classic Cinderella (and its two subsequent sequels) on Disney+, while the Whitney Houston -fronted 1997 adaptation and the 1998 Drew Barrymore movie EverAfter are . [24] Fitzpatrick went on to write that the supporting cast lacks "a weak link" entirely, finding it obvious that Houston enjoyed her material and commending the contributions of Peters, Alexander, Goldberg, Garber, Cox and Deselle. [16] Aware that the film could potentially be groundbreaking, Freedman, Zadan and Meron collaborated on several new ideas for the remake, among them ensuring that Cinderella "was defined by more than falling in love", providing her with her own story arc that is beyond simply finding a love interest. However, she called Montalban "perfectly charming" and "The real fairy tale". [37] The main characters were dressed in costumes that complemented their roles and personalities, the stepfamily's "loud" dresses in contrast to Cinderella's warmer, more neutral tones. '", citing its diverse cast, combating of sexist stereotypes often depicted in other Disney films, and empowering themes that encourage children to make their own dreams come true as opposed to simply "keep on believing" among "three important reasons the 1997 version has maintained relevance today. Cinderella. Box office. [20] Freedman was more concerned with writing a film suitable for young girls in the 1990s than writing a multi-cultural film, inspired by stories about his wife being affected by women's representation in films when she was growing up. [16] After relocating their production company, Storyline Entertainment, from CBS to Disney Studios,[18] Zadan and Meron re-introduced the project to Houston. [9][48] Alexander accepted the role despite being paid significantly less than his Seinfeld salary because, in addition to hoping to earn Zadan and Meron's favor for the title role in a potential film adaptation of the musical Sweeney Todd: The Demon Barber of Fleet Street (1979), he hoped that Cinderella would positively impact the future of television musicals. 6 min read. Box Office. "[37] Rob Marshall choreographed and staged the film's musical numbers,[31][57] which he credits with teaching him how to choreograph dance sequences for motion pictures. Tonight's trending movie pick is the Family/Fantasy/Musical movie Cinderella (1997).Synopsis: Although mis. [52] Broadway lyricist Fred Ebb was recruited to contribute original lyrics to the new arrangement "that melded stylistically with the Hammerstein originals. Updated version of the classic Rodgers and Hammerstein musical of the classic fairy-tale, with an all-star, multi-racial cast. Genres Adventure Drama Family Fantasy Romance. The revenue listed is the worldwide box office combined with the domestic home market revenue to date. [19][24][25] Houston believed that Brandy possessed the energy and "wonder" to play Cinderella convincingly, admitting that their fictional relationship as godmother and goddaughter translates "well on-screen because it starts from real life";[4] when Houston telephoned Brandy to offer her the role, she introduced herself as her fairy godmother. [20] The film was co-produced by Walt Disney Telefilms, Storyline Entertainment and Houston's own production company BrownHouse Productions,[12] becoming the latter's first project and Houston's executive producing debut. For further information on notice of non-discrimination, the OCR office for North Carolina is located at: Washington DC (Metro), Office for Civil Rights, U.S. Department of Education, 400 Maryland Avenue, SW, Washington, D.C. 20202-1475; Telephone Number: (202) 453-6020; e-mail: OCR.DC@ed.gov. [9], In his book The Cambridge Companion to the Musical, author Nicholas Everett identified Rodgers & Hammerstein's Cinderella among important television musicals that "renewed interest in the genre" during the 1990s,[54] with Playbill recognizing it as "the resurgence of televised movie musicals". [74] The same newspaper reported that Cinderella was one of 16 upcoming television films commissioned for the series. [15], The diversity of the cast prompted some members of the media to dub the film "rainbow 'Cinderella'",[13][103][112] Laurie Winer of the Los Angeles Times summarized that the film's cast "is not just rainbow, it's over the rainbow", observing that "the black queen (Goldberg) and white king (Victor Garber), for instance, produce a prince played by Filipino Paolo Montalban" while "Cinderella withstands the company of a white stepsister (Veanne Cox) and a black one (Natalie Desselle), both, apparently, birth daughters of the mother played by Bernadette Peters. [20] Furthermore, Alexander insisted that Lionel be different from his Seinfeld character George Costanza, despite Freedman originally writing several in-jokes that alluded to Alexander's most famous role, prompting him to revise several of the actor's scenes accordingly. [15] According to the Nielsen ratings, Cinderella averaged a 22.3 rating and 31 share (although it was originally estimated that the program had earned only an 18.8 rating),[9][78] which is believed to have been bolstered by the film's strong appeal towards women and adults between the ages of 18 and 49. Rodgers & Hammerstein's Cinderella is a 1997 American musical telefilm produced by Walt Disney Television. Home video promotional poster, featuring Houston and Brandy as their respective characters. [2] Houston remained heavily involved in the film's production aspects, despite being relegated to a supporting acting role, retaining final approval over all creative decisions, particularly its multiracial cast. In a special 20/20 episode that aired to commemorate the . [36] Whoopi Goldberg accepted the role of Queen Constantina because Cinderella reminded her of a period when television specials were "major event[s]" before home video made such programs available and re-watchable at virtually any time, and hoped that the film would re-introduce the tradition of watching it live and "become part of the fabric of our lives again. "[37] A writer for Newsweek believed that Brandy's Cinderella falling in love with a non-Black prince reflects "a growing loss of faith in black men by many black women", explaining, "Just as Brandy's Cinderella falls in love with a prince of another color, so have black women begun to date and marry interracially in record numbers. [36] Despite being late for the final day of auditions, Montalban impressed the producers with his singing voice. "[124] However, the Los Angeles Times' Brian Lowry observed that few of the series' subsequent projects achieved the ratings that Cinderella had, with viewership for later programming being rather inconsistent. [69] Mandy Len Catron, author of How to Fall in Love with Anyone: A Memoir in Essays, believes that the film remains "The only truly diverse version of the fairy tale" as of 2017. For example, 2017's Beauty and the Beast, 2019's Aladdin and Lion King each surpassed $1 billion in box office earnings.

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